Together, Alone

Together, Alone

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Generative AI Isn’t Worth It

Goodbye to All That

I Spent Halloween Watching Fran Lebowitz in Zurich

Saying Hello to Metamodernism

Everything Is a Clip Show

Sabrina Carpenter’s Feminine Swagger

A Salve For Homesickness

An Interview with Alonso Duralde

The Emotional Power of the 30-Minute Dramedy

Is Carmy's Cookbook Due?

The Importance of Teaching Pop Culture

Beautiful and Happy

“I Don’t Own a TV”

Long Weekend Watching

In Praise of Human Creativity

The Power of Quiet Storytelling

‘Nothing’s happening anymore. It’s not exciting. It’s over.’

The White Lotus and Gothic Literature

Seven Short Notes On AI Video

Bella Baxter’s Suffering and the Moral Case for Amoral Films

Channel Surfing in Uncharted Waters

Director's Commentary, Sad Girls, and Reading a Movie

How Subtitles and Captions Change the Way We Watch

This Is What Makes Us Girls

Voices In My Head

Weird, Awkward, and Worried About the Future

More Than Awkward: The Comedy of Nathan Fielder

The Enduring Appeal of the Weird Female Character

Canaries in Culture’s Coal Mine

January In Review

Adaptation: From Novel to Big Screen

Tiny Digital Love Stories

The Failures of Live News

New Year News and Coming Attractions

© 2025 Gabe Bullard and Arielle Bernstein
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